I saw War for the Planet of the Apes today. I was disappointed.
After the hype the trailers – and some of the reviews – raised, I found the movie lacking in the sense of awe I experienced in its two successors. The first – Dawn of the Planet of the Apes – had a moving poignancy. I thought the second – Rise of the Planet of the Apes – was raw and powerful.
I had hopes, in the third one, to see Andy Serkis once again show us why capture motion acting needs to be treated seriously. All I saw was a man — to be sure a talented actor — in an ape suit; this one painted on him by a computer.
I found the writing strained and the story pedestrian. The actors tried; there were strong performances by Serkis and Steve Zahn (who stole the show), but there was nothing there to support them. Through it all, there were pitiful attempts to bring the story full circle, to make connections to the very first Planet of the Apes in 1968.
Like the 1968 movie, most of the apes walked fully upright (and looked like people in ape suits), Caesar, Serkis’ character had a young son name Cornelius (the name of the chimp in the 1968 version) and a young, blonde mute girl was given the name Nova (a name used for a human woman in the 1968 movie) in a very clumsy fashion.
All in all, a sad experience. I cannot recommend it.
I got around today to watch The Girl with All the Gifts, the zombie movie that came out this past February, and its a pip.
It’s easily as good as 28 Days Later and runs circles around every episode of The Walking Dead I’ve seen.
Fantastic world-building, tight directing, smart performances, and a twist that makes it so much more than just another zombie flick.
Glad I watched it, intend to watch it again, and sorry it took so long for me to get around to it. I’ll give it 3.5 stars just because I’ve never seen a movie I consider a 4.0.
Not much news, good or bad, in the past two months, at least not about my writing. Rachael and I have both fought off the nasty colds that are going around; worrying about the world, too, but I prefer to keep that sort of stuff on Facebook, not here on the blog.
I’ve got four stories out, looking for a home. One has been at Asimov’s since January, but that doesn’t mean a thing. I’ve talked to lots of people recently who have complained how slow that market has become. We’ll see.
I’ve finally had a nibble on my novel, Seventh-Hour Man. In mid-May, an agent asked for the whole manuscript. Not a yes, I’ll represent you, but more action than I’ve seen since last October. Again; we’ll see.
The good news is that I’ve started another novel, Come a Dawn Like Thunder, in collaboration with a friend who lives in our building. The book is a diesel-punk fantasy set in in 1941 in Asia. We’re trying to capture the ethos of the old comic strip, Terry and the Pirates. It mixes tech and magic in more or less equal measures and will feature air combat between prop-driven aeroplanes and Asian dragons, with gremlins, ogres, demons and other monsters thrown into the mix. We’ve got about 10,000 words written and we are both excited. I’ll keep you posted.
Podcastle guest host Kelly Robson, the Toronto SF writer, admitted – as a former Pacific Northwest resident – she was “especially excited” to introduce Stay. She called it, “gentle and sweet-natured, with webs of love and care connecting everyone.”
Thank you, Kelly, that’s exactly what I intended. I’m excited you believe I hit the mark.
And thanks to Tina Connolly, who writes ripping-good SF in Portland, for such a fantastic reading. Tina, you sound exactly as I imagined Cait Stihl.
Stay is urban fantasy set in Seattle, and features Emma Stone and Caitlin Stihl, a lesbian couple who work as private detectives.
Stihl and Stone Security often turn up the more personal details of a case, but this time the investigation digs a little too close to home. The story considered how love binds people together, and can push them apart, and examines all the permutations of that simple four-letter-word – stay.
It is the final entry of Podcast’s month-long Artemis Rising 3, which spans all five of the Escape Artists sites. It has been a month of fantastic stories, whether you enjoy science fiction, fantasy or horror.
I hope you enjoy this story, Faithful Reader. It’s one of my personal favorites.
Rachael and I saw Logan yesterday.
I enjoyed it – a lot – but thought it to be just another X-Man movie, perhaps the best I’ve seen, but not the studied “film” so many critics have said it to be.
It tries to say violence isn’t a solution, that it only begets more violence. Even so, it gloried in its violence, and there’s a ton of it.
It lacks the visceral intensity of Midnight Special, a recent film involving two men on the run, carrying a child with special talent.
IMO, writer-director James Mangold’s attempt to use dialogue from Shane to provide an end note was sloppy story-telling. I have another end in mind, one that I believe elevates the story, makes it more than a chase and slash movie, but I would have to use spoilers to explain it, so I’ll set that aside for now.
Artemis Rising 3 takes over all five Escape Artists podcasts this month and I’m a part of it!
PodCastle, Escape Pod, Pseudopod, Cast of Wonders and Mothership Zeta have brought back the month-long event for a third year to highlight speculative fiction by women and non-binary authors.
My short story, Stay, will be the featured tale at PodCastle the last week of the month. Stay is one of my personal favorites and I’m so happy it’s found a home. For you Pacific Northwest folks, it’s set in Seattle and features Emma Stone and Caitlin Stihl, a lesbian couple who work as private detectives.
Stihl and Stone Security is used to turning up the more personal details of a case, but this time the investigation digs a little too close to home.
I’ll post a reminder when it’s up.
My short story, According to His Substance, is now available from Amazon.com as the lead story in Brave Boy World, an anthology from Pink Narcissus Press. The story originally appeared in my story collection, Snapshots From A Black Hole & Other Oddities.
According to His Substance examines identity and our need for redemption. To what lengths would you go to to be the person you believe you are? What are the costs of redemption? Can it be achieved if you have wronged a crowd of people? And if you were given a second chance, would you have sufficient courage to try to make things right?
I’m rather pleased with this story and grateful to Michael Takeda, editor of the anthology, for his faith in my work. Thank you, Michael.
The book looks fantastic; I am so pleased to be a part of it! And faithful readers – I hope you enjoy the story!
I opened today’s mail and found contributor copies of Little Green Men – Attack!, a Baen Books anthology edited by Bryan Thomas Schmidt and Robin Wayne Bailey.
My story, Little Green Guys, an homage to one of my favorite story-tellers, Damon Runyon, shares the TOC with fantastic (and funny) company.
The book goes on sale March 7 and can be pre-ordered now at Amazon Books. Thank you, Bryan and Robin! The whole thing looks great!
And faithful readers – I hope you have fun reading all the stories!
All SF writers have at least one dinosaur story. Mine is Cretaceous On Ice and it’s up now over at Perihelion Science Fiction.
It’s one of my personal favorites ; an homage to a story on my top ten favorite SF list – Howard Waldrop’s Ugly Chickens, which I first read half a lifetime ago.
Thanks to Sam Bellotto Jr. for accepting the story and for commissioning a great illustration by Jesse Jennings. It caught the story perfectly.
And faithful readers – I hope you laugh in all the right places.
2016 was not a particularly productive year for me, as a writer. Still, it was not without it’s successes.
Seventh-Hour Man, my alternate-history fantasy novel, made it’s way through an initial field of 1,500 submissions in a open call from Hodder & Stoughton, the British publishing house, and ended the process in a final field of twenty. It didn’t get a purchase offer, but I did receive a swell rejection letter. It remains unsold.
As to new short fiction, I sold Last Call, a near-future sports fantasy, to Daily Science Fiction. It appeared in January 2016. I also sold Little Green Guys to Bryan Thomas Schmidt for his Little Green Men – Attack anthology, due out in March 2017, and Stay, a part of my Seattle Supernatural series of short stories, went to Pod Castle. It’s also due out in March. And Cretaceous On Ice, a personal favorite, will grace Perihelion Science Fiction on January 12, 2017. Editor Sam Bellotto Jr. has promised an illustration. I’m looking forward to that.
I made some reprint sales, too. Coward’s Steel, my Writers of the Future winner, and Snapshots I Brought Back From The Black Hole, first printed in Lightspeed, both went to Great Jones Street, an I-Phone app that offers hundreds of free-to-read short stories. Both are available now to I-Phone users. And According To His Substance will appear in Brave Boy World, an anthology from Pink Narcissus Press, sometime the first half of 2017.